In the beginning of the creative process we used text to describe feelings and aspects of the effects of nomophobia in order to further inform characters and the development of their physicality. In the actual performance, I decided not to use text as i did not feel it was relevant and necessary. I aimed to stimulate the audience creating a thought-provoking performance in a more indirect, abstract context and it felt that adding could shift the piece as a whole in a different direction. As the piece progressed, the sounds and breath were essentially developed by the level of physicality. It added more significance to the internal struggle each of the characters was experiencing throughout the piece.
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